Yes, if your sense of humor is anything near mine, you may be grinning already, after reading the dialog above. 🙂 But, for the full effect, this entry in the Bad Comic Panels series requires a little more background.
So, Fantastic Four #12, which we’ve already seen before, was, I believe, Marvel’s first “crossover” ever; until then, all of its characters stayed in their books. The Hulk (whose identity wasn’t publicly known at the time) was being suspected of sabotaging some missile installations in a military base, and the FF were asked to help capture him. After a page where the three male members of the Fantastic Four boast, very childishly (yes, even Reed Richards) about how each of them will use his own powers to capture the Hulk, the Invisible Girl, Sue Storm (she hadn’t married Reed yet), says that she probably won’t be of much help (this was before she developed her force field / turn other stuff invisible powers; at the time, her only power was to turn herself invisible, nothing more), and General Ross, without realizing how his words could be interpreted in a later, more cynical age, implies that that’s not a problem, as:
… a pretty young lady can always be of help — just by keeping the men’s morale up!
“Morale”? That’s what they called it those days? 😀
Of course, arguably the best part is yet to come, as Reed — Sue’s boyfriend, and eventual husband — agrees with Ross:
That’s just the way we feel about Sue, general!
In other words, agreeing that her girlfriend — and, by extension, all women — aren’t much good for anything… but that’s OK, because the only thing they need to do is look good. Ah, early Marvel comics. 🙂
2 thoughts on “Bad Comic Panels #4: “a pretty young lady can always be of help — just by keeping the men’s morale up!””
Got to love the hair on Susan… and the fact that she looked older in 1963 than she does in 2011.
That’s a typical Kirby Female Hair™. Jack Kirby was one of the best, and probably the most influential comic book artist of all time, without whom the comics world would be very different right now… but he did draw all women’s hair mostly the same, with a “50s look” — even in the 70s, when his art was otherwise a lot better than what we see here.